Marriage in Europe became a central pillar of society during the medieval period. Theologians, lawyers, and secular and church leaders agreed on a unique outline of the institution and its legal framework, the essential features of which remained in force until the 1980s. The medieval Western European definition of marriage was unique: before the legal consequences of marriage came into being, the parties had to promise to engage in sexual union only with one partner and to remain in the marriage until one of the parties died. This requirement had profound implications for inheritance rules and for the organization of the family economy; it was explained and justified in a multitude of theological discussions and legal decisions across all faiths on the European continent. Normative texts, built on the foundations of the scriptures of several religious traditions, provided an impressive intellectual framework around marriage. In addition, developments in iconography, including sculpture and painting, projected the dominant model of marriage, while social, demographic and cultural changes encouraged its adoption. This volume traces the medieval discussion of marriage in practice, law, theology and iconography. It provides an examination of the wider political and economic context of marriage and offers an overview of the ebb and flow of society's ideas about how expressions of human sexuality fit within the confines of a clearly defined social structure and ideology. A Cultural History of Marriage in the Medieval Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

Why marry? The personal question is timeless. Yet the highly emotional desires of men and women during the period between 1450 and 1650 were also circumscribed by external forces that operated within a complex arena of sweeping economic, demographic, political, and religious changes. The period witnessed dramatic religious reforms in the Catholic confession and the introduction of multiple Protestant denominations; the advent of the printing press; European encounters and exchange with the Americas, North Africa, and southwestern and eastern Asia; the growth of state bureaucracies; and a resurgence of ecclesiastical authority in private life. These developments, together with social, religious, and cultural attitudes, including the constructed norms of masculinity, femininity, and sexuality, impinged upon the possibility of marrying. The nine scholars in this volume aim to provide a comprehensive picture of current research on the cultural history of marriage for the years between 1450 and 1650 by identifying both the ideal templates for nuptial unions in prescriptive writings and artistic representation and actual practices in the spheres of courtship and marriage rites, sexual relationships, the formation of family networks, marital dissolution, and the overriding choices of individuals over the structural and cultural constraints of the time. A Cultural History of Marriage in the Renaissance and Early Modern Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

How have ideas of marriage evolved in Western culture? How has its influence changed, and been shaped by its social and cultural conditions? In a work that spans 2,500 years, these ambitious questions are addressed by 52 experts, each contributing their overview of a theme applied to a period in history. The volumes describe the role of marriage, its contributions to society, and how it engages with matters of religion, law, society and love. Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1. - Antiquity (500 BCE - 500 CE); 2. - Medieval Age (500 - 1450); 3. - Renaissance and Early Modern Age (1400 - 1650) ; 4. - Age of Enlightenment (1650 - 1800); 5. - Age of Empire (1800 - 1920); 6. - Modern Age (1920 - 2000+). Themes (and chapter titles) are: Courtship and Rite; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage. The page extent is approximately 1,728pp with c. 240 illustrations. Each volume opens with a series preface and an introduction, and concludes with Notes, Bibliography, List of Contributors and an Index.

This book is a sweeping historical portrait of the floating city of Venice from its foundations to the present day. Joanne M. Ferraro considers Venice's unique construction within an amphibious environment and identifies the Asian, European and North African exchange networks that made it a vibrant and ethnically diverse Mediterranean cultural centre. Incorporating recent scholarly insights, the author discusses key themes related to the city's social, cultural, religious and environmental history, as well as its politics and economy. A refuge and a pilgrim stop; an international emporium and centre of manufacture; a mecca of spectacle, theatre, music, gambling and sexual experimentation; and an artistic and architectural marvel, Venice's allure springs eternal in every phase of the city's fascinating history.

This book focuses on the behavior of the ruling families of Brescia, a rich and strategically vital city under Venetian rule, during the late sixteenth and early seventeenth century. The first part of the book conceptualizes the civic leadership of Brescia, with a profile of its origins and a brief history of the process of aristocratization. Further, it examines the relationship between family structure and the local socio-political structures. Size, wealth, education, and marriage ties were all pivotal factors which helped determine the family’s position in public life. Its strength rested ultimately on its continuity over time. Women and women’s property are given careful attention. The second part places the Brescian elite within the Venetian state. Besides controlling urban political institutions, the Brescians held strong economic links with the surrounding countryside, the basis of their power, and they enjoyed ample authority in the rural communities subject to the city.

Marriage in Europe became a central pillar of society during the medieval period. Theologians, lawyers, and secular and church leaders agreed on a unique outline of the institution and its legal framework, the essential features of which remained in force until the 1980s. The medieval Western European definition of marriage was unique: before the legal consequences of marriage came into being, the parties had to promise to engage in sexual union only with one partner and to remain in the marriage until one of the parties died. This requirement had profound implications for inheritance rules and for the organization of the family economy; it was explained and justified in a multitude of theological discussions and legal decisions across all faiths on the European continent. Normative texts, built on the foundations of the scriptures of several religious traditions, provided an impressive intellectual framework around marriage. In addition, developments in iconography, including sculpture and painting, projected the dominant model of marriage, while social, demographic and cultural changes encouraged its adoption. This volume traces the medieval discussion of marriage in practice, law, theology and iconography. It provides an examination of the wider political and economic context of marriage and offers an overview of the ebb and flow of society's ideas about how expressions of human sexuality fit within the confines of a clearly defined social structure and ideology. A Cultural History of Marriage in the Medieval Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

Why marry? The personal question is timeless. Yet the highly emotional desires of men and women during the period between 1450 and 1650 were also circumscribed by external forces that operated within a complex arena of sweeping economic, demographic, political, and religious changes. The period witnessed dramatic religious reforms in the Catholic confession and the introduction of multiple Protestant denominations; the advent of the printing press; European encounters and exchange with the Americas, North Africa, and southwestern and eastern Asia; the growth of state bureaucracies; and a resurgence of ecclesiastical authority in private life. These developments, together with social, religious, and cultural attitudes, including the constructed norms of masculinity, femininity, and sexuality, impinged upon the possibility of marrying. The nine scholars in this volume aim to provide a comprehensive picture of current research on the cultural history of marriage for the years between 1450 and 1650 by identifying both the ideal templates for nuptial unions in prescriptive writings and artistic representation and actual practices in the spheres of courtship and marriage rites, sexual relationships, the formation of family networks, marital dissolution, and the overriding choices of individuals over the structural and cultural constraints of the time. A Cultural History of Marriage in the Renaissance and Early Modern Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

Award-winning historian Joanne M. Ferraro’s The Renaissance and the Wider World skillfully surveys the economic, political, social, and cultural history of Europe for the period between 1250 and 1600. The book examines how the Renaissance manifested itself through developments in the high culture of art, architecture, philosophy, science, technology, and education, as well as material culture in the form of worldly goods and consumption patterns. Ferraro expertly shows how Renaissance high culture began in 13th-century Italy, with important ancient and medieval legacies and cultural infusions from China, North Africa, and Islam and, from the 16th century, the Ottomans and the Americas; she looks at how this Renaissance then spread to the rest of Europe, the Americas, and the Ottoman Empire during the 15th and 16th centuries. Vital and innovative themes that permeate the text’s discussions of science, art, architecture, philosophy, and technology are that: * Global encounters helped shape the material, intellectual and artistic cultures of the age * Both women and men contributed significantly to the advances made * The daily lives of ordinary men and women are fundamental to understanding this remarkable period Highly illustrated and with valuable pedagogical features, such as timelines, primary source excerpts and a glossary, The Renaissance and the Wider World is the essential guide to a European era of profound global importance.

How have ideas of marriage evolved in Western culture? How has its influence changed, and been shaped by its social and cultural conditions? In a work that spans 2,500 years, these ambitious questions are addressed by 52 experts, each contributing their overview of a theme applied to a period in history. The volumes describe the role of marriage, its contributions to society, and how it engages with matters of religion, law, society and love. Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1. - Antiquity (500 BCE - 500 CE); 2. - Medieval Age (500 - 1450); 3. - Renaissance and Early Modern Age (1400 - 1650) ; 4. - Age of Enlightenment (1650 - 1800); 5. - Age of Empire (1800 - 1920); 6. - Modern Age (1920 - 2000+). Themes (and chapter titles) are: Courtship and Rite; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage. The page extent is approximately 1,728pp with c. 240 illustrations. Each volume opens with a series preface and an introduction, and concludes with Notes, Bibliography, List of Contributors and an Index. The Cultural Histories Series A Cultural History of Marriage is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com. Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.

This captivating history exposes a clandestine world of family and community secrets -- incest, abortion, and infanticide -- in the early modern Venetian republic.

With the keen eye of a detective, Joanne M. Ferraro follows the clues in individual cases from the criminal archives of Venice and reconstructs each one as the courts would have done according to the legal theory of the day. Lawmakers relied heavily on the depositions of family members, neighbors, and others in the community to establish the veracity of the victims' claims. Ferraro recounts this often colorful testimony, giving voice to the field workers, spinners, grocers, servants, concubines, midwives, physicians, and apothecaries who gave their evidence to the courts, sometimes shaping the outcomes of the investigations.

Nefarious Crimes, Contested Justice also traces shifting attitudes toward illegitimacy and paternity from the late sixteenth through the eighteenth centuries. Both the Catholic Church and the Republic of Venice tried to enforce moral discipline and regulate sex and reproduction. Unmarried pregnant women were increasingly stigmatized for engaging in sex. Their claims for damages because of seduction or rape were largely unproven, and the priests and laymen they were involved with were often acquitted of any wrongdoing. The lack of institutional support for single motherhood and the exculpation of fathers frequently led to abortion, infant abandonment, or infant death.

In uncovering these hidden sex crimes, Ferraro exposes the further abuse of women by both the men who perpetrated these illegal acts and the courts that prosecuted them.

Based on a fascinating body of previously unexamined archival literature, Marriage Wars in Late Renaissance Venice brings to life the lost voices of ordinary Venetians and opens up their world of intimacy and conflict, sexuality, and living arrangements. Ferraro examines the scripts spouses, with the help of friends, kin, and neighbours, brought to the city's ecclesiastical court in order to annul their vows or achieve legal seperation. While church authorities attempted to regulate the rites of marriage and Venetian patricians tenaciously guarded the satbility of the maritla state, Ferraro finds that it was actually couples and their families, in collaboration if not collusion with the community, who regulated the making and breaking of marriage ties.